Rückenlehnstuhl B40 | Original Bauhaus Modell moholy-nagy and shapes that formed the

and shapes that formed the Bauhaus vision of a “total” work of art

it became an icon of Italian design

Photography

which were also designed by Max Bill

Rückenlehnstuhl B40 | Original Bauhaus Modell moholy-nagy and shapes that formed theThe B40 thrives on small details that transform its cubic shape into elegance. Here, the geometry follows the body. The backrest is slightly tilted backward at the height of the lumbar spine and curves into an arc that makes the chair easy to carry. Structurally perhaps unnecessary, but highly aesthetic, is the double bracing at the front, which stiffens the chair and creates a rhythm in the space, as if Breuer had created crystalline music here not